The Viennale, running this year from October 23 through November 6, has posted a four-part preview of its lineup: features, documentaries and special programs—plus a John Ford retrospective co-presented with the Austrian Film Museum that’ll run from October 16 through November 30. “As in previous years, the retrospective will be documented in the form of a book, including new essays, classical texts, and statements by Ford as well as reviews of all the films shown at the retrospective.”
FEATURES
Lenny Abrahamson’s Frank.
Olivier Assayas‘s Clouds of Sils Maria.
Nuri Bilge Ceylan‘s Winter Sleep.
Jean-Pierre and Luc Dardenne’s Two Days, One Night.
Aleksej German‘s Hard to Be a God.
Jean-Luc Godard‘s Goodbye to Language.
Chris Gude’s Mambo Cool.
Jessica Hausner’s Amour fou.
Peter Kern’s The Last Summer of the Rich.
Bradley King’s Time Lapse.
Nadav Lapid’s The Kindergarten Teacher.
Nils Malmros’s Sorrow and Joy.
Richie Mehta’s Siddharth.
Ruben Östlund’s Force Majeure.
Tayfun Pirselimoglu’s I’m Not Him.
Joel Potrykus’s Buzzard.
Julian Radlmaier’s A Proletarian Winter’s Tale.
Martín Rejtman’s Two Shots Fired.
Hernán Rosselli’s Mauro.
Cristóbal Arteaga Rozas’s The Sad Smell of Flesh.
Myroslav Slaboshpytskiy’s The Tribe.
Sion Sono‘s Why Don’t You Play in Hell?
Monika Treut‘s Of Girls and Horses.
Virgil Vernier’s Mercuriales.
DOCUMENTARIES
Mikheil Antadze‘s The Many Faces of Comrade Gelovani.
Stéphane Batut’s Le rappel des oiseaux.
Christian Dewald and Werner Michael Schwarz’s Journey Into a Fog: Artur Berger, Film Architect.
Heinz Emigholz’s The Airstrip.
Iain Forsyth and Jane Pollard’s 20,000 Days on Earth.
Debra Granik’s Stray Dog.
Florian Habicht’s Pulp: A Film About Death and Supermarkets.
Jonas Mekas‘s Outtakes from the Life of a Happy Man.
Jordi Morató’s Sobre la marxa: The Creator of the Jungle.
Aliona Polunia’s Nepal Forever.
Elwira Niewiera and Piotr Rosolowski’s Domino Effect.
Adirley Queirós’s Branco sai, preto fica.
Tessa Louise Salomé’s Mr X.
Hubert Sauper’s We Come as Friends.
Jan Soldat’s The Incomplete.
Saw Tiong Guan’s Zuo tian.
Frederick Wiseman’s National Gallery.
SPECIAL PROGRAMS
A Dangerous Method: A Tribute to Viggo Mortensen.
Revolutions in 16mm: Towards an Alternate History of the Small Gauge.
Arab Utopia: The Algerian Filmmaker Tariq Teguia.
The Inscription of the World: In memory of filmmaker Harun Farocki.
JOHN FORD
Bucking Broadway (1917).
The Last Outlaw (1919).
Just Pals (1920).
The Iron Horse (1924).
Lightnin’ (1925).
Kentucky Pride (1925).
The Shamrock Handicap (1926).
Three Bad Men (1926).
Four Sons (1928).
Riley the Cop (1928).
The Brat (1931).
Pilgrimage (1933).
Doctor Bull (1933).
The Lost Patrol (1934).
The Informer (1935).
The Whole Town’s Talking (1935).
Steamboat Around the Bend (1935).
Wee Willie Winkie (1937).
Young Mr. Lincoln (1939).
Stagecoach (1939).
Drums Along the Mohawk (1939).
The Grapes of Wrath (1940).
The Long Voyage Home (1940).
How Green Was My Valley (1941).
The Battle of Midway (1942).
Torpedo Squadron (1942).
December 7th (1943).
They Were Expendable (1945).
My Darling Clementine (1946).
The Fugitive (1947).
Three Godfathers (1948).
Fort Apache (1948).
She Wore a Yellow Ribbon (1949).
Rio Grande (1950).
Wagon Master (1950).
When Willie Comes Marching Home (1950).
This Is Korea (1951).
The Quiet Man (1952).
The Sun Shines Bright (1953).
The Searchers (1956).
The Horse Soldiers (1959).
Sergeant Rutledge (1960).
Two Rode Together (1961).
The Man Who Shot Liberty Valance (1962).
Cheyenne Autumn (1964).
Seven Women (1965).
And Peter Bogdanovich’s Directed by John Ford (1971).
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