SPECIAL PRESENTATIONS
- Maren Ade’s Toni Erdmann. Reviews from Cannes. Critics Round-Up.
- Benedict Andrews’s Una.
- Andrea Arnold’s American Honey. Cannes. CRU.
- Damien Chazelle’s La La Land.
- Antonio Campos’s Christine. Sundance. CRU.
- Xavier Dolan’s It’s Only the End of the World. Cannes. CRU.
- Asghar Farhadi’s The Salesman. Cannes. CRU.
- Tom Ford’s Nocturnal Animals.
- James Franco’s In Dubious Battle.
- Koi Fukada’s Harmonium. Cannes. CRU.
- Vikram Gandhi’s Barry.
- Mia Hansen-Løve’s Things to Come. CRU.
- Werner Herzog’s Salt and Fire.
- Walter Hill’s (Re)Assignment.
- Jim Jarmusch’s Paterson. Cannes. CRU.
- Kim Jee-Woon’s The Age of Shadows.
- Martin Koolhoven’s Brimstone.
- Pablo Larraín’s Neruda. Cannes. CRU.
- Ken Loach’s I, Daniel Blake. Cannes. CRU.
- Kenneth Lonergan’s Manchester by the Sea. Sundance. CRU.
- Terrence Malick’s Voyage of Time: Life’s Journey.
- Ewan McGregor’s American Pastoral.
- François Ozon’s Frantz.
- Park Chan-wook’s The Handmaiden. Cannes. CRU.
- Nate Parker’s The Birth of a Nation. Sundance. CRU.
- Paul Verhoeven’s Elle. Cannes. CRU.
- Thomas Vinterberg’s The Commune. CRU.
- Aisling Walsh’s Maudie.
- Ben Younger’s Bleed for This.
GALA PRESENTATIONS
- Antoine Fuqua’s The Magnificent Seven.
- Jeff Nichols’s Loving. Cannes. CRU.
- Oliver Stone’s Snowden.
- Denis Villeneuve’s Arrival.
- Rebecca Zlotowski’s Planetarium.
PLATFORM
- Bertrand Bonello’s Nocturama.
- Barry Jenkins’s Moonlight.
- Kiyoshi Kurosawa’s Daguerrotype.
- Pablo Larraín’s Jackie.
- Katell Quillévéré’s Heal the Living.
MASTERS
- Pedro Almodóvar’s Julieta. Cannes. CRU.
- Olivier Assayas’s Personal Shopper. Cannes. CRU.
- Marco Bellocchio’s Sweet Dreams. Cannes. CRU.
- Jean-Pierre and Luc Dardenne’s The Unknown Girl. Cannes. CRU.
- Terence Davies’s A Quiet Passion. CRU.
- Mahamat-Saleh Haroun’s Hissein Habré, A Chadian Tragedy. Cannes. CRU.
- Hong Sang-soo’s Yourself and Yours.
- Hirokazu Koreeda’s After the Storm. Cannes. CRU.
- Brillante Mendoza’s Ma’ Rosa. Cannes. CRU.
- Cristian Mungiu’s Graduation. Cannes. CRU.
- Cristi Puiu’s Sieranevada. Cannes. CRU.
- Kelly Reichardt’s Certain Women. Sundance. CRU.
- Gianfranco Rosi’s Fire at Sea. CRU.
- Ulrich Seidl’s Safari.
- Wim Wenders’s The Beautiful Days of Aranjuez.
WAVELENGTHS
- Lav Diaz’s The Women Who Left.
- Douglas Gordon’s I Had Nowhere to Go. Locarno.
- Oliver Laxe’s Mimosas. Cannes. CRU.
- Sergei Loznitsa’s Austerlitz.
- Matías Piñeiro’s Hermia & Helena. Locarno. CRU.
- João Pedro Rodrigues’s The Ornithologist. Locarno. CRU.
- Angela Schanelec’s The Dreamed Path. Locarno. CRU.
- Albert Serra’s The Death of Louis XIV. Cannes. CRU.
- Anocha Suwichakornpong’s By the Time It Gets Dark.
- Wang Bing’s Ta’ang. CRU.
- Eduardo William’s The Human Surge. Locarno. CRU.
TIFF DOCS
- Shirley Abraham and Amit Madheshiya’s The Cinema Travelers. Cannes.
- Andreas Dalsgaard and Obaidah Zytoon’s The War Show.
- Werner Herzog’s Into the Inferno.
- Jim Jarmusch’s Gimme Danger. Cannes. CRU.
CONTEMPORARY WORLD CINEMA
- Tizza Covi and Rainer Frimmel’s Mister Universo. Locarno. CRU.
- Joachim Lafosse’s After Love. Cannes. CRU.
- Kleber Mendonça Filho’s Aquarius. Cannes. CRU.
- Yousry Nasrallah’s Brooks, Meadows, and Lovely Faces. Locarno. CRU.
DISCOVERY
- Michael Dudok de Wit’s The Red Turtle. Cannes. CRU.
- Juho Kuosmanen’s The Happiest Day in the Life of Olli Mäki. CRU.
- Ralitza Petrova’s Godless. Locarno. CRU.
VANGUARD
- Ana Lily Amirpour’s The Bad Batch.
- Amat Escalante’s The Untamed.
- Alice Lowe’s Prevenge.
- Nacho Vigalondo’s Colossal.
MIDNIGHT MADNESS
- Julie Ducournau’s Raw. Cannes. CRU.
- Colm McCarthy’s The Girl with All the Gifts. Locarno.
- Paul Schrader’s Dog Eat Dog. Cannes. CRU.
- Ben Wheatley’s Free Fire.
SHORT CUTS
- C.J. Prince surveys the program at 4:3.
TIFF KIDS
- Claude Barras’s My Life as a Courgette. CRU.
TIFF CINEMATHEQUE
- Olivier Assayas’s Irma Vep (1996). CRU. Watch.
- Maron Brando’s One-Eyed Jacks (1961). CRU.
- Julie Dash’s Daughters of the Dust (1991). CRU.
- Guillermo del Toro’s Pan’s Labyrinth (2006). CRU.
- Sidney J. Furie’s A Cool Sound from Hell (1959). See Daniel Kramer’s three-part profile of Furie: 1, 2, and 3.
- Gillo Pontecorvo’s The Battle of Algiers (1965). CRU.