REFLECTIONS ON FILM CULTURE

Daily | Cannes Classics 2013 Lineup

The Umbrellas of Cherbourg

Catherine Deneuve in Jacques Demy’s ‘The Umbrellas of Cherbourg’

Cannes Classics, a series added to the Official Selection in 2004, presents “masterpieces from cinematographic history that have been carefully restored,” and last week, the festival announced that Kim Novak would be on hand for a presentation of a restoration of Alfred Hitchcock’s Vertigo (1958), the reigning champion of the Sight & Sound best films of all time critics’ poll. Today, the festival’s revealed the full lineup for this year’s edition.

RESTORED PRINTS

Hal Ashby’s The Last Detail (1973).

Jacques Baratier’s Goha (1957).

Bernardo Bertolucci’s The Last Emperor (1987).

Lino Brocka’s The Nail of Brightness (1975).

Patrice Chéreau’s La Reine Margot (1994).

René Clément’s Blazing Sun (1960).

Jean Cocteau’s Beauty and the Beast (1946), to be screened with Arielle Dombasle’s musical comedy Opium (2013) in honor of the 50th anniversary of Cocteau’s death.

Jacques Demy’s The Umbrellas of Cherbourg (1964).

Marco Ferreri‘s La Grande Bouffe (1973).

Ted Kotcheff’s The Apprenticeship of Duddy Kravitz (1974).

Joseph L. Mankiewicz’s Cleopatra (1963).

Chris Marker and Pierre Lhomme’s Le joli mai (1963).

Yasujirō Ozu’s An Autumn Afternoon (1962).

Euzhan Palcy’s Simeon (1992), screened in honor of the 100th birthday of Aimé Césaire.

Satyajit Ray’s Charluta: The Lonely Wife (1964).

Alain Resnais’s Hiroshima Mon Amour (1959).

Francesco Rosi’s Lucky Luciano (1973).

Ousmane Sembène’s Borom Sarret (1963).

Billy Wilder’s Fedora (1978).

Valerio Zurlini’s The Desert of Tartars (1976).

And Visions of Eight (1973) by Youri Ozerov, Milos Forman, Mai Zetterling, Claude Lelouch, Arthur Penn, Michael Pfleghar, John Schlesinger, and Kon Ichikawa.

DOCUMENTARIES ABOUT CINEMA

Mark Cousins‘s A Story of Children & Film (2013).

Diego Galán’s Con La Pata Quebrada (2013).

The Ladies Man

Jerry Lewis in ‘The Ladies Man’

CANNES CLASSICS @ CINEMA DE LA PLAGE

Luc Besson’s The Big Blue (1988).

Philippe de Broca’s The Man from Rio (1964).

Buster Keaton‘s The General (1926).

Jerry Lewis’s The Ladies Man (1961).

Alfred Hitchcock’s The Birds (1963).

Fred C. Newmeyer and Sam Taylor‘s Safety Last (1923).

Jacques Tati’s Jour de Fête (1949).

And finally, “in tribute to Joanne Woodward (presence to be confirmed), who can be seen with husband Paul Newman on the poster of the 66th edition, the Festival will screen the final film she produced,” Treva Wurmfeld’s Shepard & Dark (2013).

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