A guide to the coverage of the coverage. All entries will be updated for as long as it seems reasonable to carry on updating them.
COMPETITION
Wes Anderson’s Moonrise Kingdom.
Jacques Audiard’s Rust and Bone.
Leos Carax’s Holy Motors.
David Cronenberg’s Cosmopolis.
Lee Daniels’s The Paperboy.
Andrew Dominik’s Killing Them Softly.
Matteo Garrone’s Reality.
Michael Haneke’s Amour.
John Hillcoat’s Lawless.
Hong Sang-soo’s In Another Country.
Im Sang-soo’s The Taste of Money.
Abbas Kiarostami’s Like Someone in Love.
Ken Loach’s The Angels’ Share.
Sergei Loznitsa’s In the Fog.
Cristian Mungiu’s Beyond the Hills.
Yousry Nasrallah’s After the Battle.
Jeff Nichols’s Mud.
Alain Resnais’s You Ain’t Seen Nothin’ Yet!
Carlos Reygadas’s Post Tenebras Lux.
Walter Salles’s On the Road.
Ulrich Seidl’s Paradise: Love.
Thomas Vinterberg’s The Hunt.
The Palme d’Or and all the awards.
UN CERTAIN REGARD
Brandon Cronenberg’s Antiviral.
Xavier Dolan’s Laurence Anyways.
Lou Ye’s Mystery.
Darezhan Omirbayev’s Student.
Awards: Michel Franco’s After Lucia, Benoît Delépine and Gustave Kervern’s Le Grand Soir, Emilie Dequenne in Joachim Lafosse’s Our Children, and Aida Begić’s Children of Sarajevo.
SPECIAL SCREENINGS
Laurent Bouzereau’s Roman Polanski: A Film Memoir.
Apichatpong Weerasethakul’s Mekong Hotel.
OUT OF COMPETITION
Bernardo Bertolucci’s Me and You.
Takashi Miike’s For Love’s Sake.
DIRECTORS’ FORTNIGHT
Quentin Dupieux’s Wrong Cops.
Michel Gondry’s The We and the I.
Pablo Larraín’s No.
Raúl Ruiz’s La noche de enfrente.
Ben Wheatley’s Sightseers.
Awards: Besides No, Merzak Allouache’s The Repentant and Noemie Lvovsky’s Camille Rewinds.
CRITICS’ WEEK
It’s all here.
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