slamdance
Curator’s Pick: “Driftwood”
Bobbing up to the surface like the sea-weathered curio its name describes, Paul Taylor’s debut feature is overdue for rediscovery. The nearly silent drama enjoyed an impressive launch at the 2016 Slamdance Film Festival, where its oddly seductive and discomfiting fairy tale took the Grand Jury Prize for Narrative Feature.
INTERVIEW: Adrian Murray on “Retrograde”
Keyframe speaks with RETROGRADE writer-director Murray about his sharp, concise new cringe comedy, the Slamdance-vetted film’s unpredictable admixture of inspirations, and Toronto’s close-knit indie film scene.
Fandor Exclusive: “Hannah Ha Ha”
New England filmmakers Joshua Pikovsky and Jordan Tetewsky, the talents behind last year’s Slamdance Grand Jury prizewinner for Best Narrative Feature HANNAH HA HA, bring their own finely tuned sensibilities to bear on the now-familiar quarter-age crisis genre, updating it to reflect the late-capitalist limbo we’re all living in.
INTERVIEW: Justin Zuckerman & Isadora Leiva on “Yelling Fire in an Empty Theater”
As its title implies, Yelling Fire in an Empty Theater captures the drama, chaos and compass-spinning search for purpose that consumes the life of its …