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Double Infidelity: Ida Lupino’s The Bigamist (1953)

It would not be inaccurate to describe film noir as a predominantly masculine genre, though it would be an oversimplification. These films feature men, but …

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Detour

By the 1940s, the Hollywood studios had developed a caste system, with the “Big Five” studios such as Paramount and Warner Brothers on top, the …

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