New York City
Curator’s Pick: “Parting Glances”
Not quite Steve Buscemi’s big-screen debut—that honor goes to Eric Mitchell’s no-wave landmark The Way It Is (1985), alongside fellow first-timer Vincent Gallo and his stage comedy partner Mark Boone Jr.—Bill Sherwood’s Parting Glances (1986) is a “Curator’s Pick” and essential Pride Month viewing on Fandor. It’s the film that first got the world beyond NYC’s East Village to notice the firefighter-turned-actor.
Curator’s Pick: “The Brother from Another Planet”
Partisan agitprop around issues of immigration, race, and the ugly truths of America’s past are never not in the news or detonating social media these …
INTERVIEW: Justin Zuckerman & Isadora Leiva on “Yelling Fire in an Empty Theater”
As its title implies, Yelling Fire in an Empty Theater captures the drama, chaos and compass-spinning search for purpose that consumes the life of its …
Last “House” From the Left: Obayashi’s Anti-War Trilogy
Best known by American cult-cinema obsessives for 1977’s “House,” Japanese filmmaker Nobohiku Obayashi’s late-career trio of pacifist epics are now on Fandor.
FANDOR FOCUS: Gritty New York
By Jake Rubenstein For centuries the Big Apple has served as a culturally diverse beacon with the promise of opportunity for all who seek a …