Cannes Film Festival

Roxy Miéville in ‘Goodbye to Language’ Film festivals are wonderful, but film festivals are also absurd. In this, more than in any other case, I …

Josh Charles in ‘Bird People’ “I don’t know what could be the excuse for keeping Pascale Ferran’s Bird People away from Jane Campion,” writes Grantland‘s …

‘The Search’ Variety‘s Justin Chang opens with an immortal line: “‘I want this to be a picture of dignity—a true canvas of the suffering of …

‘Jauja’ “Whenever a director from the outskirts of world or avant-garde cinema decides to work in anything remotely resembling Hollywood, you can count on tremors …

Ingrid Garcia-Johnsson in ‘Beautiful Youth’ “Jaime Rosales has long been one of Europe’s most serious, valuable and innovative filmmakers,” begins the Guardian‘s Peter Bradshaw. “Now …

‘Lost River’ “Had Terrence Malick and David Lynch somehow conceived an artistic love-child together, only to see it get kidnapped, strangled and repeatedly kicked in …

‘White God’ “Fur flies and blood flows in White God, a fierce and beautiful Hungarian parable about a girl, her dog, and the uprising that’s …

Callum Turner in ‘Queen and Country’ “It is 27 years since Hope and Glory, John Boorman‘s fond film à clef about Blitz survival and wartime …

‘Timbuktu’ The one consensus about the first few days of Cannes 2014 is that there really hasn’t been a consensus. While the Official Competition received …

Marion Cotillard in ‘Two Days, One Night’ In Jean-Pierre and Luc Dardenne’s Two Days, One Night, Time Out‘s Dave Calhoun finds a “cast-iron sense of …