Cannes Film Festival

‘The Lobster’ For the Guardian‘s Peter Bradshaw, Yorgos Lanthimos‘s first feature in English, The Lobster, is “an adventure which begins by being bizarre and hilarious …

‘One Floor Below’ “Radu Muntean’s One Floor Below, the latest entry in the Romanian New Wave, has a bone to pick with technology–and other hazily-drawn …

Géza Röhrig in ‘Son of Saul’ Laszlo Nemes’s debut feature, Son of Saul, “is as grim and unyielding a depiction of the Holocaust as has …

Adèle Exarchopoulos in ‘The Anarchists’ “Anarchy has rarely seemed a more sedate business than it does in The Anarchists, a handsomely mounted, even more handsomely …

‘In the Shadow of Women’ We begin with Fabien Lemercier at Cineuropa: “A magnificently sculpted black and white film which plunges us into the twists …

‘Tale of Tales’ “Italy’s film industry is enjoying something of a renaissance lately, though honestly it’d have to be in order for Matteo Garrone to …

‘Our Little Sister’ Let’s begin with Giovanni Marchini Camia at the Film Stage: “Those who fault Hirokazu Kore-eda for retracing largely similar territory with each …

[Editor’s note: What kind of information can a close look at the 1985 Festival de Cannes offer us? A correspondent decided to take a dive into the …

‘Standing Tall’ “The most down-to-earth Cannes opening film in living memory, Standing Tall (La tête haute) shows the festival flying the flag for the grand …

N°711* The previewing of the 68th Cannes Film Festival, opening tomorrow and running through May 24, began last month as we posted notes on each …