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Daily | Toronto 2016 | Kiyoshi Kurosawa’s DAGUERROTYPE
Kiyoshi Kurosawa makes a surprising venture into French-language cinema,” begins Nicholas Bell at Ioncinema. The title, Daguerrotype, “invokes the first publicly known type of photographic …
Daily | Toronto 2016 | Ewan McGregor’s AMERICAN PASTORAL
“One of the most perceptive novels of the 20th century becomes one of the most ill-conceived movies of the 21st as Ewan McGregor tries his …
Daily | Venice + Toronto 2016 | Katell Quillévéré’s HEAL THE LIVING
It’s premiered in Venice‘s Horizons program and will screen in Toronto‘s Platform competition. We begin with Variety‘s Guy Lodge: A 17-year-old car crash victim lies …
Daily | Toronto 2016 | Index
The Toronto International Film Festival is, of course, a mix of premieres and the best of the fests so far this year. The titles listed …
Daily | Venice + Toronto 2016 | Ana Lily Amirpour’s THE BAD BATCH
‘The Bad Batch’ courtesy of the Toronto International Film Festival Ana Lily Amirpour‘s The Bad Batch is the “most keenly exhilarating movie I’ve seen at …
Daily | Telluride + Toronto 2016 | Ben Younger’s BLEED FOR THIS
“Everyone has a boxing film in them,” declares Henry Barnes in the Guardian. “But Miles Teller already did his. An ambitious talent is driven to …
Daily | Telluride + Toronto 2016 | Aisling Walsh’s MAUDIE
“A tender but mawkishly simple melodrama about a handicapped painter who falls in love with a misogynistic orphan in Depression-era Nova Scotia, Maudie would be …
Daily | Venice + Toronto 2016 | Amat Escalante’s THE UNTAMED
Amat Escalante‘s The Untamed has premiered in Competition in Venice and will screen in Toronto‘s Vanguard program. For Variety‘s Guy Lodge, “this strange stew of …
Daily | Telluride + Toronto 2016 | Benedict Andrews’s UNA
“Australian theater director Benedict Andrews makes his film debut with Una, an uneasy adaptation of David Harrower’s play Blackbird, about a young woman who had …
Daily | Telluride + Toronto 2016 | Barry Jenkins’s MOONLIGHT
“Stories of LGBT people of color have been largely ignored in film or at least relegated to the sidelines while instead, we’re offered up the …
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