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“Mary and the Witch’s Flower” and the Resonance of Studio Ghibli
The story of Studio Ghibli begins with Hayao Miyazaki’s successful adaptation of his manga, Nausicaä of the Valley of the Wind in 1984. Then, with …
“Fifty Shades of Grey” is the Future of Cinema We Need
As of early February 2018, the first Fifty Shades of Grey can claim the seventh all-time biggest opening for an R-Rated film, which snuggles it …
“Chameleon Street” and the Act of Suppression
If “Cult Movie Bingo” existed, Chameleon Street would check an inordinate amount of boxes, while still remaining an enigmatic one-off. It is the debut (and …
A Closer Look At This Year’s Oscar Nominations
For a full list of the 2018 Academy Award nominations, scroll to the bottom of this article. As Tiffany Haddish and Andy Serkis announced the …
5 Movies For Your Inner Aquarius
If you think astrology is a load of bull, then feel free to stop reading here, but be warned: You’re missing out on the fun! …
Sight & Sound, Time Out, Observer
On Thursday, the New York Film Critics Circle voted up their list of awards, and today we’ll be hearing from the Los Angeles Film Critics …
Daily | NYFF 2016 | Projections
Joshua Solondz’s ‘Luna e Santur’ courtesy of the Toronto International Film Festival There are a total of eleven programs in the New York Film Festival‘s …
Daily | Toronto 2016 | Werner Herzog’s SALT AND FIRE
Throughout their correspondence at the Notebook during this year’s Toronto Film Festival, Fernando F. Croce and Daniel Kasman have rarely dwelled on the same film. …
Daily | Toronto 2016 | Kim Jee-woon’s THE AGE OF SHADOWS
“Korean theaters have become inundated with films set during the Japanese Colonial period over the last year or so,” begins Pierce Conran at Screen Anarchy, …
Daily | Toronto 2016 | Walter Hill’s (RE)ASSIGNMENT
“A potential powder keg of (trans)gender politics provided anybody ever actually sees it after its TIFF premiere,” begins Adam Nayman at CinemaScope, “Walter Hill’s (Re)Assignment …