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The World’s “First” Film Festival
Generally cited as the first of its kind, the Venice Film Festival was actually a few months after a similar but largely forgotten festival in …
“Across the Universe” Transcends Time and Place
Before making her mark as a visionary filmmaker, Julie Taymor was a creative force in the world of theater. Launching her career with Broadway’s hit …
“The Blue Angel” and the Beginning of an Iconic Collaboration
“Anyway, it stopped singing long ago.” So says the housekeeper of Professor Immanuel Rath (Emil Jannings), just before she tosses a dead bird into the …
Your 2018 Fall Film Festival Primer
After a surprisingly solid summer, filled with indie gems, cultural moments, and actually exciting blockbusters, the Fall Festival Season (aka Oscar Season) is finally upon …
Horror for a Post-Truth Reality
Ever since the Blair Witch made kids stand in the corner in the late 1990s, faux-found footage has become a horror genre staple, displacing the …
“Slender Man” and the Monstrous Truth
The potency of id and ego, innocence, and discovery colliding like air masses and creating ominous weather patterns. The flushed intensity of friendship… and antagonism. …
The Horror of the Male Gaze in “Carnival of Souls”
Despite making a little impact during its initial run on the drive-in circuit, Carnival of Souls has gained a cult following over time and still …
“The Girl with the Dragon Tattoo” Side-by-Side
How a filmmaker interprets a book for the screen is always interesting to examine. There is inherently less space on-screen than in a book, so …
“Passing” and “Racial Transformation” in Film
Spike Lee’s much-anticipated BlacKkKlansman has an outlandish conceit all the more irresistible because it actually happened. In the late 1970s, the Colorado Springs Police Department’s first-ever …
“White Rabbit” Comes Out with a Bang
I recently saw White Rabbit, directed by Daryl Wein, at the 2018 Asian American International Film Festival in New York City (the film premiered earlier …