EDITORIAL HUB FOR CINEPHILES
Features
The editorial hub for cinephiles. Features presents articles, interviews, and reviews for independent films, international titles, documentaries, and classics.
Curator’s Pick: “Saxophone Colossus”
The 1986 documentary, now streaming on Fandor in their “No Wristband Required” collection, makes an easy introduction to jazz legend Sonny Rollins in his mid-50s, with concert performances in upstate New York and Japan, plus a conversation between filmmaker Robert Mugge, Rollins and his wife Lucille in Central Park.
Six to Watch: “No Wristband Required”
This month, Fandor streams a 34-film collection of rock’n’roll movies—and other jukebox favorites—with lots of juicy live performance footage and close encounters with icons and underground heroes (and heroines). Play these six highlights LOUD.
INTERVIEW: Andreas Horvath on “Zoo Lock Down”
Keyframe spoke recently with the Austrian writer-director about his experiences in Salzburg, the ideas that shaped his footage, and why he really dislikes zoos! As a bonus, the filmmaker also talked about the unusual saga of his 2015 documentary HELMUT BERGER, ACTOR.
Curator’s Pick: “A Single Girl”
Walking nearly non-stop through the “real-time” 90 minutes of A SINGLE GIRL (1995), Virginie Ledoyen was 19 when the movie was released, a year after she appeared as a rebellious, lovestruck teenager in Olivier Assayas’ COLD WATER. Streaming this month as a Curator’s Pick on Fandor, the film no longer feels like a gimmick, as it did to some critics at the time.
INTERVIEW: David Weissman on “The Cockettes” and “We Were Here”
Essential documents of what now seems almost a fantastical time and place—San Francisco from the late 1960s into the early ’80s—THE COCKETTES (2002) and WE WERE HERE (2011) respectively tell the stories of the outrageous glitter-bombed, gender-bent performance troupe and a heroic response to the harrowing impact of the AIDS epidemic on a blindsided populace. Keyframe catches up with filmmaker David Weissman.
Six to Watch: “Queer as Day”
Happy Pride Month, y’all! To celebrate in proper style, Fandor has curated a rich and colorful package of LGBTQIA2S+ selections from its catalog: “Queer as Day” features 28 films that touch on an expansive range of sexualities and sensibilities. To get you started, we’ve picked six intriguing titles—from revelatory documentaries to heartfelt character studies and the most outrageous fantasies.
INTERVIEW: Adrian Murray on “Retrograde”
Keyframe speaks with RETROGRADE writer-director Murray about his sharp, concise new cringe comedy, the Slamdance-vetted film’s unpredictable admixture of inspirations, and Toronto’s close-knit indie film scene.
Curator’s Pick: “Parting Glances”
Not quite Steve Buscemi’s big-screen debut—that honor goes to Eric Mitchell’s no-wave landmark The Way It Is (1985), alongside fellow first-timer Vincent Gallo and his stage comedy partner Mark Boone Jr.—Bill Sherwood’s Parting Glances (1986) is a “Curator’s Pick” and essential Pride Month viewing on Fandor. It’s the film that first got the world beyond NYC’s East Village to notice the firefighter-turned-actor.
WATCH FOR FREE: Kiyoshi Kurosawa’s “Bright Future”
Premiering at Cannes 20 years ago this month, at a time when Kurosawa was still hotly associated with horror, Bright Future (available to watch free this month on Fandor!) flirts with genre elements and an ambient, shadowy tone of vaguely defined anxiety, but with an often-deadpan vibe that aligns it with slacker comedies.
INTERVIEW: Theodore Schaefer on “Giving Birth to a Butterfly”
After a decade of working his way up through the indie film ranks, writer-director-producer Theodore Schaefer at last sees the debut of his highly distinctive …
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